Review: Ilkley Philharmonic Orchestra's Candlelight Concert

Ilkley Philharmonic Orchestra 3rd Candlelight Concert was on 8th June

Geoffrey Mogridge was in the audience at Ilkley Philharmonic Orchestra’s concert at All Saints' Church on Sunday 8th June.

The house full signs were very nearly needed for the Ilkley Philharmonic Orchestra’s delectable programme of Schumann, Mozart and Beethoven. Though none of the works played are likely to enter Classic FM’s Hall of Fame. John Anderson and his new Ilkley orchestras deserve immense credit for their exploration of the highways and byways of the classical symphonic and concerto repertoire.

Schumann’s Overture, Scherzo and Finale all too rarely features in the concert programmes of our major orchestras - amateur or professional.  The twenty-minute long work is a symphony in all but name and was originally intended as Schumann’s 2nd. The composer made some revisions and the Overture, Scherzo & Finale became popular with audiences after his death.  John Anderson and the Ilkley Philharmonic clearly relished Schumann’s fine writing for all sections especially the woodwind and brass in their driven performance of this engaging work.

Mozart composed his Oboe Concerto in C K314 in the Summer of 1777. Months later he reworked it as the Flute Concerto No 1 in D. This delightful piece remains in the repertory in both forms. So step forward Tracey Smurthwaite, principal flute of the Ilkley Philharmonic. Tracey played with fluidity and beautifully shaped phrases. Her tangible sense of enjoyment touched the audience. Polished playing from all sections was carefully balanced so as not to subsume the solo instrument.

Following interval refreshments which are  free at these concerts, though donations are welcomed, it was Beethoven all the way. And what a rare treat to hear a Beethoven symphony that isn’t the 5th, 6th or 7th played live! John Anderson and the Ilkley Philharmonic’s energised performance of the joyful Symphony No 2 in D major filled this ancient church with light and colour.

Great to see several families with young kids among the audience. Sparking an interest in live classical music in their early years is so important.

Review by Geoffrey Mogridge